
The Missing Masterpiece
The Influential artists Arthur and Lucia Mathews once designed the interior of the Grand Lodge Temple. So where’s it all gone?
By Justin Japitana
Read more profiles of California Masons here.
California Freemason: How did you discover Masonry?
Keith Jones: I actually became involved with the youth orders first, for about 10 years before I became a Mason. My kids were in Job’s Daughters and DeMolay, and I wanted to be there to support them. I DJ’ed dances for the Job’s Daughters in Orange Grove, and also rose through the DeMolay leadership and became a jurisdiction-level advisor. As soon as I was able to free up some of my time, I became a Mason myself.
CFM: What’s most meaningful to you about Masonry?
KJ: It sounds cliché, but it’s the personal growth that comes with hearing the ritual again and again. You don’t absorb it your first time, but as you experience it multiple times and even go through the line and become a lodge officer, you start to apply those lessons in your regular life.
CFM: What inspired you to give back to the Foundation?
KJ: To me, it feels more impactful to give back alongside others who are just as passionate and committed to the craft as me, rather than just donating by myself. It sets an example and inspires others to give back that same way as well. To those that are considering giving back, we need to remember the 24-inch gauge. As Masons, we must devote our time in aid of others
CFM: You’ve held several leadership positions in your lodge, the Scottish Rite, and the Shrine. What kinds of issues are you focused on in those roles?
KJ: I want to prioritize building a stronger mechanism for prospecting. Having a background in Greek fraternity life as a member of Phi Kappa Psi, I understand that prospects want to feel a genuine sense of camaraderie and brotherhood. So we need to host more fulfilling social events where people can really sit down and get to know one another.
Photo by:
Justin L. Stewart
The Influential artists Arthur and Lucia Mathews once designed the interior of the Grand Lodge Temple. So where’s it all gone?
With his Jazz Age flair, architect Timothy Pflueger brought his signature style to San Francisco’s skyline.
At San Francisco No. 120, a crew of streetcar workers are making theirs the “Muni Lodge.”