International Man of Masonry
Michael Ramos: Mason on two continents and new lodge development manager.
By David Harrison
The relationship between alchemy, the premedieval philosophy and ancient pursuit of transforming metals into gold, and Freemasonry is closer than you might think. Indeed, much of the symbolism used in the craft historically reflects the theme of transmutation—how to make a good man better, the journey from apprentice to master being part of a pathway to perfection and excellence. That lives on in Masonic symbols like the ouroborus and Mercury with the caduceus.
Alchemy is even mentioned in certain rites from the 18th century, such as Count Cagliostro’s Egyptian Rite and Melissino’s Rite, which both refer to alchemy or chemistry—especially the way the process is said to transform certain substances. In these cases, alchemy is a metaphor for the journey of the Freemason as he (or she, in the case of Cagliostro’s Rite) continues through the higher degrees, transmuting to perfection through the discovery of the lost knowledge of the ancients.
As Freemasons, we symbolically work stone to perfect it—stone that originally comes from the earth. In Melissino’s Rite, it is mentioned “Chemistry is art, and wisdom is nature, and the most learned chemist cannot be even a pupil amongst us.” Today, Masons strive for perfection in ritual and in life itself, much like those ancient alch emists seeking lost knowledge to turn metal into gold.
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Michael Ramos: Mason on two continents and new lodge development manager.