Erwin Stone's Roles of a Lifetime

DURING A 20-YEAR CAREER IN TV, FILM, AND COMMERCIALS, ERWIN STONE HAS BEEN CAST AS ALL MANNER OF CHARACTERS. HIS MOST IMPORTANT MAY BE THE ONE HE PLAYS IN LODGE.

By Ian A. Stewart

Read more profiles of California Masons here.

Erwin Stone has had a long career in Hollywood as an extra and character actor in TV, film, and commercials. But for his first-ever staged performance, he bombed. More accurately: He didn’t even get the chance to bomb. “I chickened out,” he says.

Having been encouraged to give a reading at a Malcolm X Day celebration, Stone—fresh out of college and living in Los Angeles—was simply overcome with stage fright. “I was there and dressed,” he says, “I just couldn’t do it.”

Rather than permanently turn him off from public speaking, however, the episode persuaded Stone to conquer his anxiety. Shortly thereafter, he signed up for improv classes at the venerable Groundlings theater company, a famous springboard for comedic actors including Paul Reubens, Laraine Newman, and Will Ferrell. The structured nature of improv helped him build confidence onstage and allowed his natural charisma to shine through. Within three years, he’d been accepted to the Groundlings Sunday Company, where actors like Maya Rudolph and Melissa McCarthy were also players. He also booked his first paid acting job: two episodes of the long-running soap General Hospital.

That willingness to learn on the fly has been a hallmark of Stone’s career—as has a willingness to say yes. (Or rather, according to the maxim of improv comedy: Yes and…) “You hear a lot of no’s in acting,” Stone says with a chuckle.

But yes is what keeps the credits rolling: Yes, he said, when a friend of a friend called with an offer to play Wesley Snipes’ body double in the vampire-hunting megahit Blade. Yes when Richard Elfman, a fellow member of the Al Malaikah Shrine (and brother of the Oscar-winning composer) asked him to be in a “goofy, fun movie that probably nobody ever saw” called Aliens, Clowns & Geeks. And yes when he was offered a spot in a commercial for Beats speakers opposite Kim Kardashian. (He plays her personal trainer.) That, in turn, led to a lead spot in a national ad campaign for Progressive Insurance.

That spirit of open-mindedness is also what led him to ask his friend Roni Zulu, a tattoo artist in L.A. and a member of Downtown Masonic № 859, about Freemasonry. Months later, when he ran into someone wearing a sweatshirt with a Masonic emblem on it, he stopped them to ask about their lodge. That encounter concluded with an invitation to Santa Monica-Palisades № 307 for a stated meeting dinner. Two years later, he was raised as a Master Mason.

Both as a performer and as a spiritual seeker, Stone says he’s drawn to the Masonic ritual. As he was preparing to deliver the first-degree charge, Stone says he would stop by the lodge alone on Saturday mornings to recite the entire lecture from each officer’s position, just to experience it from others’ perspectives. Then he learned the third-degree charge and performed it so well he was asked by members of other lodges to deliver it for their candidates.

The key to a great performance—and that’s what the ritual is, he says, a performance—is imbuing the script with feeling. “It’s the fluctuations in your voice, your hand movements, your eye contact,” he says. “The ability to convey those messages in your speech, I mean, it’s a skill.”

Stone says he aims to bring the same inner truth to every role he plays, whether it’s “Rasta Dude” (in the 2014 gym comedy Dumbbells, starring Fabio), Kim’s workout trainer, or as the guide in a Masonic candidate’s voyage of self-discovery. “I try to just present my authentic self,” he says.

When it comes to the degrees, he knows that it’s not about delivering a show-stopping performance, either. It’s about making a connection. “This is a once-in-a-lifetime experience we get to have,” he says of the Masonic ritual. “When I’m delivering a charge for a candidate, I’m trying to give them the best experience I can.

“It’s not about me,” he says. “They’re the most important person in the room.”

Photo by
Mathew Scott

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